![]() ![]() When not in Logan, Laura Tutondele can usually be found rushing to one of the campus’ dance studios. At the University, she has previously worked on Romeo and Juliet (Dramaturg), King Lear (Old Man/Knight), Fields of Asphodel (Syd), Love’s Labour’s Lost (Rosaline) and My H8 Letter to the Gr8 American Theatre (Ensemble). Is a third-year at UChicago studying TAPS, Anthropology and Linguistics. He thinks the Merry Men should sing “(We Got) The Guillotine” by the Coup. ![]() This is his first show with UT, but he’s looking forward to participating further in the future. The Merry Men should actually be singing “Before He Cheats” by Carrie Underwood. Is a third-year TAPS and GNSE major! At the University she has previously been seen in The Trail to Oregon! (Son, UT), An American Killer in College (Jean, Maroon TV), Perfectman (Jane, Fire Escape Films), and a variety of Off-Off Campus shows! Coming up you can see Gwen in Leeching (Hailey, Fire Escape Films), Ghost Story (Amy, Fire Escape Films), and on November 30th and December 1st staged readings with New Play Development (one of the plays being written by Marian’s own George Corrin)! Also, she thinks a terrible mistake has been made. He thinks the Merry Men should sing They Might Be Giants’ “How Can I Sing Like a Girl?” on account of (spoilers:) they’re all women! He is a new member of both UT and Commedia, but he’s participated in theatre for a longer time than he is willing to admit publicly. Is a first-year prospective History major & avid wall-starer. She thinks that the Merry Men should sing Androgynous by the Replacements. She is also a member of UChicago’s independent improv group, Occam’s Razor. Previous UT and TAPS shows include Amazons and Their Men (The Extra), Scientific Method (Makayla), and Yivdak (Zahara). If she could change the Merry Men tune, she would change it to Habanera from Bizet’s Carmen. This is her second UT show, the first being King Lear (Gloucester) last spring. Is a second-year Political Science major with a Quantitative Social Analysis minor. A play about selfishness and selflessness and love deferred and the fight. As the poor get poorer and the rich get richer, who will stand for the vulnerable if not Robin? What is the cost of revealing your true self in a time of trouble? Modern concerns and romantic entanglements clash on the battlefield and on the ramparts of Nottingham Castle. Robin Hood is (and has always been) Maid Marian in disguise, and leads a motley group of Merry Men (few of whom are actually men) against the greedy Prince John. A gender-bending, patriarchy-smashing, hilarious new take on the classic tale. ![]()
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